viernes, 23 de octubre de 2026

Praying

It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch

a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway

into thanks, and a silence in which
another voice may speak.

Mary Oliver

J'ai presque peur, en vérité

J'ai presque peur, en vérité
Tant je sens ma vie enlacée
A la radieuse pensée
Qui m'a pris l'âme l'autre été,

Tant votre image, à jamais chère,
Habite en ce coeur tout à vous,
Ce coeur uniquement jaloux
De vous aimer et de vous plaire ;

Et je tremble, pardonnez-moi
D'aussi franchement vous le dire,
À penser qu'un mot, qu'un sourire
De vous est désormais ma loi,

Et qu'il vous suffirait d'un geste,
D'une parole ou d'un clin d'oeil,
Pour mettre tout mon être en deuil
De son illusion céleste.

Mais plutôt je ne veux vous voir,
L'avenir dût-il m'être sombre
Et fécond en peines sans nombre,
Qu'à travers un immense espoir,

Plongé dans ce bonheur suprême
De me dire encore et toujours,
En dépit des mornes retours,
Que je vous aime, que je t'aime!

Paul Verlaine
Música de Gabriel Fauré 
(5. "En verdad, casi tengo miedo" del ciclo La bonne chanson)

martes, 20 de octubre de 2026

Exhausto, al fin encuentro
alojamiento
¡y flores de glicina!

Matsuo Bashô

jueves, 15 de octubre de 2026

 The Player Who Takes No Chances


There is a greater blackness

And many would wish to see


There is a greater blackness

Than most would care to contemplate


There is a greater blackness


Those who have tried to tell of the blackness

Has always found their words turned into nonsense

Those who have tried to tell of the blackness

Has always found their memories, lost or transformed

Into doctrines and philosophies

They never intended

Or possibly their bodies and minds as they conceive such things

Lost forever in the blackness

That few would wish to see, and most do not dare to contemplate


There is a greater blackness


Perhaps in their final moments they may realize

Or be shown, that they were, after all

Only unknowing players in a nameless

endless game


Only unknowing players


And after these souls have been thrown screaming into oblivion

No voice remains to tell the score

Save the howling voice of the blackness


There is a greater blackness

There is a greater blackness


No voice remains

No voice remains

No voice remains


Thomas Ligotti


martes, 13 de octubre de 2026

In a station of the metro

The apparition of these faces in the crowd:
Petals on a wet, black, bough.

Ezra Pound

lunes, 12 de octubre de 2026

Ode on Indolence

‘They toil not, neither do they spin.’

One morn before me were three figures seen,
    With bowèd necks, and joinèd hands, side-faced;
And one behind the other stepp’d serene,
    In placid sandals, and in white robes graced;
        They pass’d, like figures on a marble urn,
    When shifted round to see the other side;
They came again; as when the urn once more
        Is shifted round, the first seen shades return;
    And they were strange to me, as may betide
With vases, to one deep in Phidian lore.

How is it, Shadows! that I knew ye not?
    How came ye muffled in so hush a mask?
Was it a silent deep-disguisèd plot
    To steal away, and leave without a task
        My idle days? Ripe was the drowsy hour;
    The blissful cloud of summer-indolence
Benumb’d my eyes; my pulse grew less and less;
        Pain had no sting, and pleasure’s wreath no flower:
    O, why did ye not melt, and leave my sense
Unhaunted quite of all but—nothingness?

A third time pass’d they by, and, passing, turn’d
    Each one the face a moment whiles to me;
Then faded, and to follow them I burn’d
    And ached for wings, because I knew the three;
        The first was a fair Maid, and Love her name;
    The second was Ambition, pale of cheek,
And ever watchful with fatiguèd eye;
        The last, whom I love more, the more of blame
    Is heap’d upon her, maiden most unmeek,—
I knew to be my demon Poesy.

They faded, and, forsooth! I wanted wings:
    O folly! What is Love? and where is it?
And for that poor Ambition! it springs
    From a man’s little heart’s short fever-fit;
        For Poesy!—no,—she has not a joy,—
    At least for me,—so sweet as drowsy noons,
And evenings steep’d in honey’d indolence;
        O, for an age so shelter’d from annoy,
    That I may never know how change the moons,
Or hear the voice of busy common-sense!

And once more came they by:—alas! wherefore?
    My sleep had been embroider’d with dim dreams;
My soul had been a lawn besprinkled o’er
    With flowers, and stirring shades, and baffled beams:
        The morn was clouded, but no shower fell,
    Tho’ in her lids hung the sweet tears of May;
The open casement press’d a new-leaved vine,
    Let in the budding warmth and throstle’s lay;
        O Shadows! ’twas a time to bid farewell!
Upon your skirts had fallen no tears of mine.

So, ye three Ghosts, adieu! Ye cannot raise
    My head cool-bedded in the flowery grass;
For I would not be dieted with praise,
    A pet-lamb in a sentimental farce!
        Fade softly from my eyes, and be once more
    In masque-like figures on the dreamy urn;
Farewell! I yet have visions for the night,
    And for the day faint visions there is store;
Vanish, ye Phantoms! from my idle spright,
    Into the clouds, and never more return!

John Keats

viernes, 9 de octubre de 2026

                                 [Yo]


[...]


Yo
¿Qué quieres de mí
que no me dejas, Sueño?


Sueño
Doce cisnes de oro
y doce lunas negras.


Yo
Quiero días y noches
claros y sin secretos.

Sueño

[...]


Federico García Lorca